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Demonstrates building a basic _VOX circuit_ to add voice-operated transmit functionality to HF transceivers that lack this feature. The design utilizes a _1458 dual op-amp_ (two 741 op-amps in one package) to amplify microphone audio and act as a comparator, driving an NPN switching transistor for PTT control. A capacitor, C2, provides the necessary delay before unkeying the PTT, with a variable resistor, R6, allowing adjustment of the VOX level for specific microphones or voices. This low-cost circuit, detailed with a full parts list, offers a practical solution for hams seeking to enhance their budget HF rigs. The author, N1HFX, provides guidance on initial setup, including advice on microphone gain and the use of headphones to prevent speaker audio from re-keying the transceiver. Modifications for adjusting delay time are also included, suggesting increasing R8 to 10K for more delay or decreasing C2 to 22µF for less.

Deciphering weak or noisy **CW** (Continuous Wave) signals often presents a challenge for amateur radio operators, particularly in contest environments or during DXpeditions. CWLab04X addresses this by providing a software solution that leverages **DSP** (Digital Signal Processing) capabilities of a soundcard to decode Morse code. It functions as both a receiver and a sender, supporting traditional CW and a unique "CCW" mode designed to enhance copyability of signals struggling against high noise floors. The program offers two installation methods: a Windows-specific installer for straightforward setup or a zipped package compatible with Windows and Linux systems running Wine. Users must first download and review the accompanying PDF documentation, CWLab04.pdf and CWLab04_Hardware.pdf, which detail the software's operation and the necessary soundcard interface circuit. The hardware PDF outlines a direct connection from the receiver audio output to the soundcard input, with optional conversion of the soundcard output for hard-keying or microphone input. CWLab04X is intended as an operational aid rather than a replacement for skilled human copy, particularly highlighting the effectiveness of its CCW mode in adverse signal conditions. The software was last revised in April 2009, with installation requiring the LV Runtime 602.

This resource, "Transistor Audio Preamplifier Circuits," offers comprehensive design guidelines for constructing **bipolar transistor** audio preamplifiers. It delves into critical aspects such as quiescent current setting, voltage gain calculation, and the impact of various component choices on circuit performance. The content provides several _schematic diagrams_ illustrating different preamplifier configurations, including single-stage common emitter and two-stage designs, alongside explanations of their operational characteristics and practical implementation considerations. The analysis extends to frequency response, noise performance, and distortion, providing insights into optimizing these parameters for specific audio applications. The resource presents calculated gain figures for various stages, demonstrating how to achieve desired amplification levels. It also discusses the importance of proper power supply decoupling and input/output impedance matching, crucial for integrating these preamplifiers into larger audio systems or ham radio transceivers. The practical application of these designs is evident in their suitability for microphone preamplifiers or general-purpose audio amplification.

This circuit consists of microphone amplifier and a high pass filter. Suitable to improve signal readability.

The Elecraft K2 transceiver requires specific modifications for optimal soundcard digital mode operation, particularly for PSK31. The original article, circa 2001, details initial challenges with manual PTT and speech compression settings. A key modification involves adding headphone audio and a compression disable signal to the K2's microphone jack, utilizing pins 4 and 5. The **COMP0** signal, active low, is shorted to ground via a non-inverting open collector switch circuit, comprising two resistors and two transistors, mounted on the SSB board near U3. This circuit provides effective control of an analog signal line with good noise immunity. The switchbox itself repurposes a computer COM port switch, using only two of its original connectors and four of the nine poles. It integrates a microphone preamplifier, a PTT circuit built with 'flying leads' construction, and RCA jacks for soundcard connections. A trimpot adjusts the audio drive to the K2. The central DB9 connector links to the K2's mic connector via a shielded RS232 serial cable, ensuring proper grounding and signal routing. An external footswitch PTT jack is also included. Further enhancements include a **noise-canceling microphone** preamp based on a QST December 2000 article, adapted for Heil mic elements. This preamp, built with pseudo-Manhattan style construction, provides a gain of approximately 2 by changing emitter resistors (R9 and R16) from 680 ohms to 330 ohms. A 10-ohm series resistor and 47 µF capacitor on the +5V supply mitigate noise spikes.

This online project guide details the construction of a homebrew boom microphone system. It details the assembly of a microphone shell from a 3/4" PVC pipe section and an end cap, requiring a drilled hole for a snug fit of the electret or condenser mic element. The internal wiring schematic specifies a **2.2 K** resistor and a **47 uF** polar capacitor for signal conditioning, with a circuit diagram provided for integration with IC-706 series transceivers. The guide outlines the use of CAT-5 cable for internal connections, incorporating strain relief at the rear of the mic shell, and an inline 3.5 mm jack to facilitate an external _PTT_ line, designed for a foot-mounted switch. Further construction involves fabricating a microphone shock mount from a 2-inch PVC connector, detailing the creation of four "fingers" and the insertion of screw-eyes for attaching elastic bands, which are twisted 180 degrees for tensioning and vibration isolation. A foam wind screen is also incorporated into the microphone assembly, secured with adhesive. The boom arm itself is repurposed from an articulated architect lamp, with the original lamp assembly converted into a **60 watt** resistive load for testing power sources. Microphone cabling is secured to the boom arm using wire ties, ensuring sufficient slack at hinge points to maintain articulation. The boom base is mounted to a bookshelf, requiring specific positioning to achieve proper microphone placement in front of the operator. Performance evaluation of the microphone system is conducted through on-air audio signal reports from other amateur radio operators. DXZone Focus: Online Project Guide | Boom Microphone Construction | Electret Mic Element | PTT Line

This FM wireless mike can transmit voice signals to any FM Radio receiver 100 meters away.

Presents two distinct hardware modifications for the Icom IC-7300 transceiver, detailing the necessary steps for each. The first modification, a _MARS_ transmit expansion, involves the physical removal of specific surface-mount diodes (D422) from the main board, enabling transmit capabilities across a broader frequency range, including out-of-band frequencies. It specifies the diode location on US versions of the IC-7300 and suggests using small diagonal cutters if a soldering iron is not preferred or available. The second modification focuses on the internal antenna tuner, aiming to provide wider impedance matching capabilities. This involves adding a **100k ohm** resistor to a designated point within the tuner circuit. The resource also briefly mentions a microphone modification for the _HM219_ and a general power increase, though without specific instructions for the latter two. It emphasizes safety precautions, such as disconnecting power and inspecting the work area.

Designed for the FT-817, this audio speech compressor, centered on the Analog Devices SSM2165, offers a 40 dB compression range, enhancing signal power. Built externally with the SMD version to preserve warranty, the circuit interfaces smoothly with electret microphones. Testing shows a 6 dB average power increase. Adaptable to rigs with electret microphones, it maintains unity gain and 40 dB compression.

Many low-power SSB rigs and kits lack dedicated speech processor circuitry, although most modern HF rigs include it. Speech processing is crucial for low-power SSB to overcome QRM. This simple, low-cost circuit integrates a microphone element and can be housed in a defunct desk mike. It features a feedback amplifier, audio preamplifier, and adjustable speech compression control

Noise-canceling electret condenser microphones (ECMs) are ideal for compact, battery-powered devices due to their small size, low power consumption, and high sensitivity. These microphones, used in conjunction with active noise cancellation circuitry, significantly reduce ambient noise, creating a more peaceful listening experience by combining and processing signals from multiple microphones.

A dual insert microphone design for the Icom IC-7300 transceiver utilizes a **Besson BZ2400 M4 Rocking Armature** insert for frequencies from 500 Hz to 3 kHz, exhibiting a rising response of approximately 11 dB. A generic Electret Condenser insert, powered by the transceiver's microphone line, covers the low-frequency range from 100 Hz to 500 Hz. A Low Pass Filter is incorporated after the Electret insert to prevent frequency overlap, and a pre-set potentiometer (VR1) adjusts the low-frequency response, balancing the output of both inserts. The design emphasizes a "Close Talking" arrangement and addresses audio "colorization" by housing the Besson insert in a thick rubber holder with a foam boot, separate from the circuitry, with the Electret insert also wrapped in a foam boot. Critical importance is placed on using the correct BZ2400 M4 insert with 12 holes in its face plate. The frequency response table for the BZ2400 M4 insert shows 0 dB at 500 Hz, rising to +11 dB at 3000 Hz, while the Electret insert with the Low Pass Filter provides 0 dB at 100 Hz, rolling off to -9 dB at 500 Hz and -50 dB at 3000 Hz. This combination ensures a broad, balanced audio spectrum for SSB operation. The project includes a circuit diagram, a comprehensive parts list detailing components like a 1 Henry iron-cored inductor (L1) and various capacitors, and a board layout within the metal tube. The completed unit provides a tailored audio profile for the IC-7300, enhancing transmit audio quality.

This online project documentation details the construction of a hands-free microphone interface unit designed for _mobile_ amateur radio operation. The curriculum covers the integration of electret microphone elements with amateur radio transceivers, specifically addressing **VHF** band communication. It outlines the circuitry for a switch box that provides an interface between various radio models and microphone types. The guide specifies the inclusion of a **1750 Hz** tone-burst generator for accessing amateur radio repeaters, an operational protocol for many VHF systems. Design considerations include the reduction of ambient vehicle noise through an adjustable audio input level control. The project provides schematics and wiring diagrams for connecting the interface unit to specific amateur radio transceivers, including the Yaesu FT-817. It addresses the selection and adaptation of readily available electret microphone and earpiece assemblies, initially sourced from mobile phone accessories, and later from dedicated headset units. The design incorporates a control mechanism for radio functions, enabling hands-free operation during _mobile_ excursions. Circuit details cover power supply considerations for the electret microphone and signal routing for both transmit audio and received audio monitoring. The documentation specifies component selection for the switch box, ensuring compatibility with common amateur radio microphone input impedances and output levels. This includes considerations for PTT line switching and audio path isolation. DXZone Focus: Online Project Documentation | Hands-Free Mobile Microphone Interface | Electret Microphone Integration | 1750 Hz Tone-Burst Generation