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Roy G4WPW has collected one of the most complete and interesting pages for microphone connections schemas and wiring. Includes Kenwood microphones schematics as well as Yaesu Icom Alinco Adonis Drake Heil JRC MFJ schematics

This page discribes microphone wiring connections for most UK and foreign radios. Most U.S. radios are "Code Type 2".

This online guide details the microphone pinout for the Kenwood TR-7950 transceiver, specifically addressing the wiring configuration for a dynamic mobile microphone with a **500 Ohm** impedance. It provides a pin-by-pin breakdown for the 6-pin microphone connector, identifying the function of each active pin. The resource specifies that Pin #1 is for the microphone audio (white wire), Pin #2 controls the _PTT_ (black wire), Pin #3 activates the memory down function (blue wire), and Pin #4 controls the memory up function (red wire). Pin #6 is designated as the ground connection, while Pin #5 remains unused in this configuration. The document focuses on the physical wiring necessary to restore microphone functionality to the Kenwood TR-7950, a transceiver capable of **45 watts** output on the _2m band_. It directly addresses the technical challenge of re-establishing correct electrical connections after microphone wires have been disconnected from the connector. The information facilitates proper microphone operation for simplex QSOs and other voice communications. DXZone Focus: Online Guide | Microphone Pinout | Kenwood TR-7950 | PTT Wiring

Microphone wiring for Yaesu FT-757 GX II

The Elecraft K2 transceiver requires specific modifications for optimal soundcard digital mode operation, particularly for PSK31. The original article, circa 2001, details initial challenges with manual PTT and speech compression settings. A key modification involves adding headphone audio and a compression disable signal to the K2's microphone jack, utilizing pins 4 and 5. The **COMP0** signal, active low, is shorted to ground via a non-inverting open collector switch circuit, comprising two resistors and two transistors, mounted on the SSB board near U3. This circuit provides effective control of an analog signal line with good noise immunity. The switchbox itself repurposes a computer COM port switch, using only two of its original connectors and four of the nine poles. It integrates a microphone preamplifier, a PTT circuit built with 'flying leads' construction, and RCA jacks for soundcard connections. A trimpot adjusts the audio drive to the K2. The central DB9 connector links to the K2's mic connector via a shielded RS232 serial cable, ensuring proper grounding and signal routing. An external footswitch PTT jack is also included. Further enhancements include a **noise-canceling microphone** preamp based on a QST December 2000 article, adapted for Heil mic elements. This preamp, built with pseudo-Manhattan style construction, provides a gain of approximately 2 by changing emitter resistors (R9 and R16) from 680 ohms to 330 ohms. A 10-ohm series resistor and 47 µF capacitor on the +5V supply mitigate noise spikes.

This online project guide details the construction of a homebrew boom microphone system. It details the assembly of a microphone shell from a 3/4" PVC pipe section and an end cap, requiring a drilled hole for a snug fit of the electret or condenser mic element. The internal wiring schematic specifies a **2.2 K** resistor and a **47 uF** polar capacitor for signal conditioning, with a circuit diagram provided for integration with IC-706 series transceivers. The guide outlines the use of CAT-5 cable for internal connections, incorporating strain relief at the rear of the mic shell, and an inline 3.5 mm jack to facilitate an external _PTT_ line, designed for a foot-mounted switch. Further construction involves fabricating a microphone shock mount from a 2-inch PVC connector, detailing the creation of four "fingers" and the insertion of screw-eyes for attaching elastic bands, which are twisted 180 degrees for tensioning and vibration isolation. A foam wind screen is also incorporated into the microphone assembly, secured with adhesive. The boom arm itself is repurposed from an articulated architect lamp, with the original lamp assembly converted into a **60 watt** resistive load for testing power sources. Microphone cabling is secured to the boom arm using wire ties, ensuring sufficient slack at hinge points to maintain articulation. The boom base is mounted to a bookshelf, requiring specific positioning to achieve proper microphone placement in front of the operator. Performance evaluation of the microphone system is conducted through on-air audio signal reports from other amateur radio operators. DXZone Focus: Online Project Guide | Boom Microphone Construction | Electret Mic Element | PTT Line

Constructing a digital interface for the Elecraft K2 transceiver, this resource details the "Fat Wire" design by WG4S. It demonstrates how to integrate a sound card for digital modes, outlining specific connections to the K2's microphone jack and internal audio path. The author shares practical insights from his build, including the use of _RG-62_ coax for its flexible braid and the strategic placement of components like the 2.2K resistor and _2N2222_ transistor. The guide provides a breakdown of the interface's internal wiring, specifying connections for AF In (pin 1), AF Out (pin 5), PTT (pin 2), and Ground (pin 7) on the K2's microphone connector. It also covers the external connections to a laptop's headphone and line-in jacks, along with a DB-9 connector for PTT control via _DTR_ or RTS lines. The author notes that his laptop's headphone output level was sufficient for the K2, negating the need for an attenuator. Reflecting on the design, the author, Dan WG4S, acknowledges a later suggestion to house the components directly within the DB-9 shell for a more compact build. This iterative feedback highlights the ongoing evolution of DIY ham radio projects and the community's collaborative spirit in refining designs.

Connecting to the global *EchoLink* network via a web browser simplifies internet linking for licensed amateur radio operators. This web application provides a direct interface, eliminating the need for client software installation. Users can log in with their validated callsign and password to access the system, facilitating contacts with other stations, repeaters, and conferences worldwide, much like traditional VoIP applications but tailored for amateur radio. The interface offers essential controls for managing connections, including selecting specific stations or conferences from a dropdown list, initiating a connection, and disconnecting. Features such as a 'Call CQ' button allow users to signal their availability for a contact, while options for low bandwidth operation and accepting incoming connections optimize performance and accessibility. Audio device selection ensures proper microphone and speaker integration with the web client. Validation of an amateur radio license is a prerequisite for full access, ensuring that only authorized operators utilize the network. The system prompts unvalidated users to provide an email address and password to begin the validation process, which typically involves submitting proof of license. This free service extends the reach of amateur radio communications globally, bridging geographical distances through internet connectivity.